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1 year oldIt’s not a stretch to say that men’s wear has long been seen by many as simpler and less creative than women’s wear. But as more men have found ways to personalize even the most traditional staples, they have shown that there are far wider possibilities than once thought.
This style evolution was on full display outside the recent men’s wear shows in Milan and Paris, where neck scarves were a potent accessory and the few who had traditional neckties wore them atypically, including with collarless shirts.
Others on the street revived a fad popularized in the early 1990s by the hip-hop duo Kriss Kross: wearing blazers and shirts in reverse, so the buttons and lapels were on the back. What I found most exciting, though, were the various tops with graphics referring to popular culture, including a fisherman’s sweater with the face of Kurt Cobain and a sleeveless tunic featuring the album cover of “Substance” by New Order.
Louis Vuitton’s New Don: Pharrell Williams has stepped into the shoes that were once filled by Virgil Abloh. He spoke about his approach to the role.
An Influential Aesthetic: Athena Calderone, the queen of muted Brooklyn interiors, is moving to Manhattan. Did she become bored by the popularity of her own style?
Lube’s Glow-Up: With minimalist labeling and elegant packaging, a new generation of personal lubricants can seem more self-care than sex aid. Make room on the night stand.
Spoofing Award Shows: At the second “Las Culturistas” Culture Awards, the comedians Bowen Yang and Matt Rogers put on an affectionate parody of an award show.
Fashion Week: At the men’s shows in Florence and Milan, brands including Valentino, Armani and Zegna stripped down their collections.
The Jazz Age Lawn Party: Attendees at the event on Governors Island dressed in the style of the Roaring Twenties. But would they really want to go back?
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